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Haun tulokset 337 - 360 / 424



Proof That the Devil Loves You (HC)
Proof That the Devil Loves You (HC)

Preview

This book presents three Fritz B-movies: one all-new, two revised and expanded from their initial comic book run. The titular story is a fable set in a world very reminiscent of Palomar. Then, Fritz plays an “astronette” on an existential mission through space.

Three Fritz B-movies: one is entirely new, while two of the tales are expanded from their original appearances in the ongoing Love and Rockets comic book series. The titular story, “Proof That the Devil Loves You,” is a fable about a free spirit, Bula, played by Fritz. Something strange is going on in a town very reminiscent of Palomar. Gisel and Kiki are determined to understand why the hamlet’s residents are acting so foolishly — is it something in the air? And why can’t Gisel leave? But when there’s a violent turn, evidence points toward the supernatural. Then, Fritz plays the role of an “astronette” on an existential journey through space.

Proof That the Devil Loves You is the latest in a series of graphic novels featuring Gilbert Hernandez's character Fritz, a B-movie actress (and half-sister to his iconic Love and Rockets character, Luba) whose hourglass figure has earned her a cult following.

While Gilbert often explores Fritz's troubled life off-screen in Love and Rockets, for years he has also been "adapting" her exploitation films in various forms, including a series of standalone graphic novels that include Chance in Hell, The Troublemakers, Garden of the Flesh, Maria M., and Hypnotwist/Scarlet By Starlight.

HC, 6x9, 96pgs, B&W

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32.50 €
Run Like Crazy, Run Like Hell (HC)
Run Like Crazy, Run Like Hell (HC)

Näytettä kustantajan sivuilta.

After the teeth-rattling one-two punch of West Coast Blues and Like a Sniper Lining Up His Shot, Jacques Tardi makes a third appointment with ace crime writer Jean-Patrick Manchette for his wildest adaptation yet.

Peter Hartog, a rich industrialist, hires a troubled young woman, Julie, straight out of the psychiatric asylum to which she has been consigned for several years, to work as a nanny for his bratty kid Peter. But Hartog's seemingly altruistic impulse to help rehabilitate a troubled soul hides a darker motive: He plans to stage a fake kidnapping of his son, and use Julie as a scapegoat.

Unfortunately for Hartog, Julie proves infinitely more tough and resourceful than he expected, the kidnapping goes horribly, bloodily wrong, and now Julie and Peter are on the run, pursued both by the police and by Hartog's goons, led by the aging but fantastically dangerous contract killer Thompson — one of Manchette's most unforgettable creations, a golem of Terminator-like tenacity who is barely slowed down by physical punishment that would instantly kill a lesser man (he does not end the book with the same amount of eyes and feet as he started).

As with the other Tardi/Manchette books, Run Like Crazy... is full of moments of pitch-black humor, and a strong current of socio-political satire runs beneath its bleak surface. It's a ride to hell, but a devilishly fun one.

HC / 104 pgs / BW / 7.25 x 10.5

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26.00 €
Sandman Papers
Sandman Papers

edited by Joe Sanders; preface by Neil Gaiman

Neil Gaiman's Sandman is a phenomenon'a mass-circulation comic book that caught and held the attention of serious readers. Besides its mass appeal, The Sandman has long interested students and teachers in myriad disciplines, and they have begun sharing their reactions by writing analytical essays. This book gathers some of the best of this criticism, mostly by young scholars and all written in readable, jargon-free language.

The book contains 12 wide-ranging essays of criticism, exploration, and appreciation. The first half of the book addresses aspects of Sandman more or less in order of publication and the individual essays discuss particular Sandman episodes or story arcs, such as "A Midsummer Night's Dream," "The Kindly Ones," and "Ramadan." The second half widens the net and examines Gaiman's Sandman stories in relation to Gaiman's other work and work by other writers such as Jorge Luis Borges's interest in variable truths or Terry Pratchett's adaptations of ancient myths for modern audiences. Others examine how Gaiman's stories relate to other genres such as horror fiction and to social and cultural concerns about the roles of women. Each grapples with questions of how script and art combine to make The Sandman an especially complex, rewarding comic.

This book of criticism is aimed at a non-academic, general readership who enjoy Gaiman's work as modern graphic literature and want to compare intelligent literary responses to their own. There is no comparable, competing collection available.

About the Author
Joe Sanders is a professor emeritus of English at Lakeland Community College in Mentor, OH. He is former president of the Science Fiction Research Association and a former division head in the International Association for the Fantastic in the Arts.

280 pages B&W, 6" x 9" Paperback

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24.70 €

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