This penultimate volume features another three years’ worth of little gems by the greatest cartoonist of all time. Each page is a masterpiece, crackling with wit and brilliance. This volume features “Geo. Herriman’s Los Angeles,” Bob Callahan’s fascinating look at Herriman’s pre-Krazy Kat days as a journalist/illustrator, covering such things as bullfighting and UFO sightings—all accompanied by Herriman’s virtuoso cartoons. As usual, the cover is designed by Chris Ware and features a striking two-color look.

PB / 176 pgs / BW / 9” x 12”

Krazy Kat, with its eternally beguiling love triangle of kat/dog/mouse, its fantastically inventive language, and its haunting, minimalist desert décor, has consistently been rated the best comic strip ever created, and Fantagraphics’ award-winning series one of the best classic comic-strip reprint series ever published.

With our 13th volume, Krazy & Ignatz 1922-1924, the decades-in-the- making project of publishing every single Krazy Kat Sunday created by Herriman comes to a close. (Next: The dailies!)

While the Krazy Kat Sundays were created and published in black and white until 1935 (and therefore the majority of strips in this book are black and white), Herriman’s publisher did briefly experiment with running the strip in color in 1924, and all 10 of these rare full-color strips are presented here. The book also includes more rare photographs of Herriman, a “DeBaffling” section explaining period references and in-jokes, and the usual surprise “goodies” each of these volumes springs on their readers. And for the 13th and last time, the covers are by Chris Ware.

SC / 216 pgs / PC / 9 x 12

The Kat Who Walked In Beauty collects many rare and unique dailies from the 1910's and 1920's. This nine-month stretch of dailies, never-before-reprinted, is among the treasures included in this collection. The collection includes many other Herriman gems, including the very first stand-alone Krazy & Ignatz strips from 1911, and the illustrations from Herriman's Krazy Kat Jazz pantomime/ballet, performed to captivated New York audiences in 1922. This book fills in several gaps in the daily strip history, reproduced at close to their original size.

HC, 11x15, 144 p, B&W

An older man sits at his kitchen table, filled with melancholy. Dishes are piled up in the sink, a full pot of coffee burns on the counter; it's a quiet scene of existential despair. The man is a widower, and today is the day to visit his departed wife's gravesite. Little does he know that what the day holds for him will result in this being his last lonely Saturday. Both sweet and bitter, realistic and fantastic, The Last Lonely Saturday is an evocative, romantic novella told in a beautiful two-color, red and yellow palette. His economical images waste not a line, and his narrative flows effortlessly from panel to panel in this heartwarming story of love and love lost.

80p

2009 Eisner Award Winner: Best U.S. Edition of International Material

After his existential thriller (Why Are You Doing This?), his Parisian famous-writers crime caper (The Left Bank Gang), and his time-travel story (I Killed Adolf Hitler), Jason's fourth full-color album may feature his loopiest premise yet. Set in the present time, The Last Musketeer stars the by-now centuries old musketeer Athos, who has been reduced to a suavely dressed but useless near-panhandler trading on his now almost extinct fame. All this changes when one day the Martians attack Earth. Suddenly there is a need for swashes to be buckled, and Athos leaps back into the fray with a vengeance. The Last Musketeer is a vintage sci-fi adventure with a unique twist from an internationally acclaimed cartoonist.

Format: Softcover
Pages: 48
Dimensions: 7" x 10"
Colors: full-color

How much power does a single man, let alone a single leaf, have in the industrial world? In this wordless, all-ages graphic novel, our protagonist discovers a leaf that radiates a vibrant light. He returns to a detailed metropolis—depicted in somber grays and blues—and searches for answers. During his quest, he stumbles upon a man who knows what's really happening in the city's labyrinthine ducts; a woman who spends her life studying and classifying obsolete flora; and the truth about the ever-dwindling environment.

Leaf is a graphically stunning story that unfolds with a dream-like pace. Shaded in pencil and punctuated by spot colors, drawn in a delicate but concretely realized tonal approach reminiscent of Shaun Tan's The Arrival and Chris Van Allsburg's Jumanji, Chinese cartoonist Daishu Ma's first foray onto American shelves is ultimately a hopeful vision of the coexistence of the urban and natural worlds.

HC / 96 pgs / FC / 9 x 10.625

2007 Eisner Award WINNER, Best U.S. Edition of International Material
2007 Eisner Award nominee: Best Coloring (Hubert)

F. Scott Fitzgerald, Ernest Hemingway, Ezra Pound, and James Joyce walk into a Parisian bar... no, it's not the beginning of a joke, but the premise of Jason's unique new graphic novel.

Set in 1920s Paris, The Left Bank Gang is a deliciously inventive re-imagining of these four literary figures as not only typical Jason anthropomorphics, but...graphic novelists! Yes, in Jason's warped world, cartooning is the dominant form of fiction, and not only do these four work literary giants work in the comics medium but they get together to discuss pen vs. brush, chat about the latest graphic novels from Dostoevsky ("I can't tell any of his characters apart!") to Faulkner ("Hasn't he heard of white space? His panels are too crowded!"), and bemoan their erratic careers. With guest appearances by Zelda Fitzgerald and Jean-Paul Sartre, and a few remarkable twists and turns along the way, and you've got one of the funniest and most playful graphic novels of the year.

Format: Softcover
Pages: 48
Dimensions: 7" x 10"
Colors: full-color

Who was Wallace Wood? The maddest artist of Mad magazine? The man behind Marvel's Daredevil? The self-publishing pioneer of Witzend?

With a life as dramatic as his compositions, many fans know the legendary artist, but few know the man inside. Until now. The Art and Life of Wallace Wood is an incisive look back at the life and career of one of the greatest and most mythic figures in cartooning.

Edited over the course of thirty years by former Wood assistant Bhob Stewart, The Art and Life of Wallace Wood is a biographical portrait, generously illustrated with Wood's gorgeous art as well as little seen personal photos and childhood ephemera.

Also: remembrances by Wood's friends, colleagues, assistants, and loved ones. This collective biographical and critical portrait explores the humorous spirit, dark detours, and psychological twists of a gifted maverick in American pop culture.

Contributions by Bill Gaines, Grant Geissman, Larry Hama, Paul Kirchner, Trina Robbins, John Severin, Tom Sutton, Al Williamson and more!

Edited by Bhob Stewart

SC / 304 pgs / PC / 10 x 12

The Life and Legend of Wallace Wood Volume 2 is a stunning portrait of one of the most mythic figures in American cartooning.

Bursting with artwork and photos along with the remembrances of friends, colleagues, and loved ones discussing the spirit, the psychological twists, the struggles with censorship and alcoholism and the slide into pornography of this complicated maverick of American pop culture.

Compiled over more than three decades, The Life and Legend of Wallace Wood Volume 2 completes this remarkable portrait of a legendary comics creator.

HC, 10x12, 232pgs, FC

With Like a Sniper Lining Up His Shot, Tardi, at the top of his form, once again puts his lushly efficient neo-clear-line style in the service of Manchette’s gleefully brisk prose for a spectacularly dark, violent and fastpaced crime thriller that will delight fans of their previous collaboration, West Coast Blues.

HC / 104 pgs / BW / 7.75 x 10.75

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Like a Velvet Glove... collects all 10 chapters of Eightball's terrifying and fascinating journey into madness that makes Twin Peaks look like Teletubbies. As Clay Loudermilk attempts to unravel the mysteries behind a snuff film, he finds himself involved with an increasingly bizarre cast of characters, including a pair of sadistic cops who carve a strange symbol into the heel of Clay's foot; a horny over-the-hill suburban woman whose sexual encounter with a mysterious water creature produced a grotesquely misshapen, but no less horny, mutant daughter; a dog with no orifices whatsoever (it has to be fed by injection); two ominous victims of extremely bad hair implants; a charismatic Manson-like cult leader who plans to kidnap a famous advice columnist and many more!

This edition has a brand new cover, new title and end pages — PLUS — Clowes being the perfectionist that he is, there are tweaked and re-drawn panels that really make this a transcendent piece of storytelling art!

144p

Näytettä kustantajan sivuilta.

Drinky Crow may be the drunken star of the weekly comic strip Maakies, but more often than not, he plays straight man to the hapless drunk ape, Uncle Gabby. Here is the newest, drunkest collection of Tony Millionaire's drunk strip, featuring two drunk years of drunk comics collected for the first time, drunk.

120p, B&W

This second, doorstop-sized omnibus volume of “Locas” tales by Jaime Hernandez — collecting over a dozen years’ worth of stories from the award-winning Love & Rockets comics — picks up shortly after Maggie and Hopey’s long-awaited reunion at the end of the Locas hardcover.

Even though her love life remains as chaotic as ever, Hopey takes her first few steps toward responsible adulthood with a real job (as a teacher), while a depressed, divorced Maggie ends up as the manager of a fleabag apartment building, where she continues to wrestle with the demons of her past — most prominently in the stunning centerpiece of the volume, the graphic novel-length “Ghost of Hoppers,” with its hallucinatory dream finale.

On the “guy” side Ray, still carrying a major torch for Maggie, falls in with the “Frogmouth,” the volatile bombshell (arguably the sexiest woman Jaime has ever drawn, which is saying something) whose ties to local thugs cause some hairy moments indeed.

Of course, Maggie, Hopey, and Ray’s paths continue to intersect in Jaime’s increasingly complex, always richly imagined world, along with those of characters both old (Izzy Ortiz, Penny Century) and new (the jockette Angel, the mysterious superheroine Alarma).

8.5 x 11, 416 pages, BW

Näytettä.

A detective is walking down the street. It is raining. He sees a "Lost Cat" poster. A minute later he sees the cat from the photo. He picks it up and goes back to the poster. He calls the number. A woman answers. He turns up at her place and gives her the cat. She invites him in from the rain for a cup of coffee. They talk and find out they have a lot in common: both are divorced and living alone.

Some days later he invites her out for a dinner. She accepts. He shows up at the agreed time. She doesn't. He calls her home and knocks on her door. No answer. He asks the neighbors. They haven't seen her. She has disappeared. He makes some phone calls and investigates, but can't find her. He gets a new client and has to start working on a new case. In his head he continues their conversation...

Lost Cat, the new graphic novel by Jason (after years of "graphic novellas" of less than 50 pages, arguably his first genuine graphic NOVEL) is both a playful take on the classic detective story, and a story about how difficult it is to find a sister spirit, someone you feel a real connection to — and what do you do if you lose that person?

HC / 160 pgs / PC / 5.5 x 8.5

The Love & Rockets library continues with this special volume!

Amor y Cohetes is the seventh volume in the new Complete Love & Rockets series, collecting together in one convenient package all the non-Maggie and non-Palomar stories by all three Hernandez Brothers from that classic first, 50-issue Love & Rockets series, including Gilbert’s original 40-page sci-fi epic “BEM” from 1981’s very first issue of Love & Rockets, Jaime’s charming “Rocky and Fumble” series starring a planet-hopping girl and her robot, stunning one-shots such as Gilbert’s Frida Kahlo biography “Frida,” the shocking autobiographical fantasia “My Love Book,” and much more!

SC, 7.5 x 9, 280pgs, B&W

The 25th anniversary Love and Rockets celebration continues with this, the first of three volumes collecting the adventures of the spunky Maggie, her annoying best friend and sometimes lover Hopey, and their circle of friends, including their bombshell friend Penny Century. This book collects the earliest, punkiest, most heavily sci-fi stories.

SC, 7x9, 288pgs, B&W

The 25th anniversary Love and Rockets celebration continues with this, the second of three volumes collecting the adventures of the spunky Maggie; her annoying, pixie-ish best friend and sometime lover Hopey; and their circle of friends, including their bombshell friend Penny Century, Maggie's weirdo mentor Izzy — as well as the aging but still heroic wrestler Rena Titañon and Maggie's handsome love interest, Rand Race. After the sci-fi trappings of his earliest stories (as seen in Maggie the Mechanic, the first volume in this series), Hernandez refined his approach, settling on the more naturalistic environment of the fictional Los Angeles barrio, Hoppers, and the lives of the young Mexican-Americans and punk rockers who live there. A central story and one of Jaime's absolute peaks is "The Death of Speedy." Such is Jaime's mastery that even though the end of the story is telegraphed from the very title, the downhill spiral of Speedy, the local heartthrob, is utterly compelling and ultimately quite surprising. Also in this volume, Maggie begins her on-again off-again romance with Ray D., leading to friction and an eventual separation from Hopey. (Note: A number of these stories, including a whole cycle of wrestling stories starring or co-starring Rena Titañon, were not collected in the hardcover Locas.)

272-page b&w 7 1/2” x 9 1/4” paperback

Maggie, Hopey, and the rest of the Locas prowl Los Angeles, the East Coast, and parts in between trying to recapture their carefree youth. Split up from Hopey yet again, Maggie bounces back and forth between a one-laundromat town in Texas where she contends with both her inner demons and a murderous prostitute, and Camp Vicki where she must fend off her Aunt Vicki's attempt to make her a professional wrestler and the unwanted advances of the amorous wrestler Gina. And what's this about Maggie getting married?

288pgs, B&W

A collection in the style of Maggie The Mechanic. Penny Century collects the well-loved comic book series of the same title and select stories featuring Penny from Love and Rockets, as well as the long out-of-print graphic novel, Whoa Nellie! The Penny material features... Penny! The hottest super heroin of Earth and beyond! Whoa Nellie is hands down the best female wrestling comic of ALL TIME. From the master cartoonist Jaime Hernandez!

SC, 8x9, 240pgs, B&W

This latest inexpensive and handy collection of Jaime Hernandez’s early work picks up where 2010’s Penny Century leaves off. Esperanza features an older, wiser Maggie, a maturing Hopey and introduces one of Jaime’s greatest recent characters, Vivian the “Frogmouth,” the near-psychotic bombshell.

SC, 7x9, 248pgs, B&W

Angels and Magpies collects the Gods and Science: Return of the Ti-Girls and Love Bunglers storylines from the Love and Rockets: New Stories series, as well as Hernandez’s 2006 New York Times serial. In the Ti-Girls segment, superheroics get a screwball spin and in “Love Bunglers,” perhaps Hernandez’s greatest masterpiece and one of the great graphic novels of all time, the past and present converge as Maggie and Ray’s reunion is threatened by long-buried family secrets.

SC, 272pgs, B&W

THE SEQUEL TO THE 2003 PERENNIAL CLASSIC, PALOMAR
When Gilbert Hernandez climaxed his award-winning “Palomar” series at the end of Love and Rockets’ original run by leveling the tiny Central American hamlet, many disappointed readers thought he had written off those beloved characters for good.

Not so. Hernandez soon picked up the story of Luba (who had not only been one of the dominant characters of the “Palomar” series but had also starred in its prequel “Poison River”): Now older but perhaps not so very much wiser, the hammer-wielding matriarch had relocated to the United States of America, where she continued to contend not only, as an immigrant, with a brand new and not always welcoming culture but also her tempestuous extended family — her eccentric sisters Fritz and Petra, her nurturing but often disapproving cousin Ofelia, her many children ranging from the fully grown (Guadalupe and Doralis) to the latest brood sired by her husband Khamo (Casimira, Socorro, Joselito, and Conchita) — many of them in turn each with her own network of family members, lovers, and friends (including a number of other escapees from Palomar).

These "America" stories — over 80 of them, ranging from quick one-page blackout sketches to bona fide graphic novellas — were originally published in a number of different comics and reprinted in a trilogy of oversized paperbacks. Luba finally collects in one compact, affordable hardcover the entirety of these tales, showcasing Gilbert Hernandez’s wicked wit, great compassion, and uncanny understanding of how human beings love, squabble, and ultimately find a way to make it through this life. Tales of sex, violence and rock and roll rub elbows with stories of love, sensitivity, and understanding — and thanks to the miraculous alchemy of Hernandez’s peerless storytelling, what emerges is a coherent, exciting, funny portrait of one of the richest group of fictional characters ever to spring from a cartoonist’s mind.

HC, 9 x 12, 608 pages, BW

Love and Rockets: New Stories #1 reboots the beloved ongoing "Love and Rockets" comic into a fat, all-new annual graphic novel length package.

Jaime launches the new format with a story that's unusual even for him... A full-on, pulse-pounding super-hero yarn! Maggie's longtime friend Penny Century has finally realized her longtime dream of acquiring super-powers, but at a terrible personal cost. Now she rampages through the galaxy, half mad with grief, and a motley group of super-heroes assembles to try to stop her -- led by Maggie's girlfriend Angel and her mysterious neighbor Alarma, and involving a number of characters longtime Love and Rockets fans will delight in recognizing.

The epic-length 50-page story (only the first half of the saga!) combines Jaime's razor sharp characterization and superlative art with wildly inventive, Kirby-style slam-bang super-hero action.

Then Gilbert Hernandez explodes with a similarly generous helping of his fantastically creative one-shot short stories: "Papa" (a turn-of-the-century story involving a traveling businessman); "The New Adventures of Duke and Sammy" (super-powered Martin and Lewis impostors in outer space); "Victory Dance" (Into the Wild as re-imagined by Beto); "Chiro el Indio" (written by third brother Mario Hernandez); "Never Say Never" (a kangaroo gets lucky in Las Vegas; and the mysterious wordless mood piece simply titled "?".

One hundred pages of Jaime, Gilbert and Mario Hernandez at the peak of their powers: this is a major graphic-novel event!

SC / 104 pgs / BW / 7.5 x 10.5

Näytettä kustantajan sivuilta.

After Jaime’s two-part super-hero epic from Love and Rockets: New Stories #1 and #2, we return to the enthralling minutiae of the “Locas” cast’s lives for the first time in three years. In the main story "The Love Bunglers" (presented in two parts) Ray finally gets his date with Maggie: The couple goes to an art opening and to dinner, they discuss the crazy world of dreams, and Maggie asks Ray for a huge favor. Also in this volume, “Brown Town, Blue Sun,” a new installment in Jaime’s beloved “little kids” flashback series: A ten-year-old Maggie and her family move away from Hoppers to a desert ghost town… And on the Gilbert side of the ledger, “Scarlet by Starlight” is a story of humans exploring alien terrain, one of whom gets caught up in the natives' mating season with a furry creature who bears a striking resemblance to Fritz (of High Soft Lisp fame). “Killer/Sad Girl/Star” picks up the “Sad Girl” character from LRNS #2, and how no one in her family takes her budding film career seriously.

All this, plus: a letters page!

SC / 104 pgs / BW / 7.5 x 10.5