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Conan of Cimmeria 1: Coming of Conan the Cimmerian TPB
Conan of Cimmeria 1: Coming of Conan the Cimmerian TPB

"Between the years when the oceans drank Atlantis and the gleaming cities... there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars... Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand... to tread the jeweled thrones of the Earth under his sandalled feet."

Conan is one of the greatest fictional heroes ever created: a swordsman who cuts a swath across the lands of the Hyborian Age, facing powerful sorcerers, deadly creatures, and ruthless armies of thieves and reavers.

In a meteoric career that spanned a mere twelve years before his tragic suicide, Robert E. Howard single-handedly invented the genre that came to be called sword and sorcery. Collected in this volume, profusely illustrated by artist Mark Schultz, are Howard's first thirteen Conan stories, appearing in their original versions in some cases for the first time in more than seventy years and in the order Howard wrote them. Along with classics of dark fantasy like The Tower of the Elephant and swashbuckling adventure like Queen of the Black Coast, The Coming of Conan the Cimmerian contains a wealth of material never before published in the United States, including the first submitted draft of Conan's debut, Phoenix on the Sword, Howard's synopses for The Scarlet Citadel and Black Colossus, and a map of Conan's world drawn by the author himself.

Here are timeless tales featuring Conan the raw and dangerous youth, Conan the daring thief, Conan the swashbuckling pirate, and Conan the commander of armies. Here, too, is an unparalleled glimpse into the mind of a genius whose bold storytelling style has been imitated by many, yet equaled by none.

Format: Trade Paperback, 496 pages

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24.70 €
Darwin's Children
Darwin's Children

Greg Bear’s Nebula Award–winning novel, Darwin’s Radio, painted a chilling portrait of humankind on the threshold of a radical leap in evolution—one that would alter our species forever. Now Bear continues his provocative tale of the human race confronted by an uncertain future, where “survival of the fittest” takes on astonishing and controversial new dimensions.

DARWIN’S CHILDREN
Eleven years have passed since SHEVA, an ancient retrovirus, was discovered in human DNA—a retrovirus that caused mutations in the human genome and heralded the arrival of a new wave of genetically enhanced humans. Now these changed children have reached adolescence . . . and face a world that is outraged about their very existence. For these special youths, possessed of remarkable, advanced traits that mark a major turning point in human development, are also ticking time bombs harboring hosts of viruses that could exterminate the “old” human race.

Fear and hatred of the virus children have made them a persecuted underclass, quarantined by the government in special “schools,” targeted by federally sanctioned bounty hunters, and demonized by hysterical segments of the population. But pockets of resistance have sprung up among those opposed to treating the children like dangerous diseases—and who fear the worst if the government’s draconian measures are carried to their extreme.

Scientists Kaye Lang and Mitch Rafelson are part of this small but determined minority. Once at the forefront of the discovery and study of the SHEVA outbreak, they now live as virtual exiles in the Virginia suburbs with their daughter, Stella—a bright, inquisitive virus child who is quickly maturing, straining to break free of the protective world her parents have built around her, and eager to seek out others of her kind.

But for all their precautions, Kaye, Mitch, and Stella have not slipped below the government’s radar. The agencies fanatically devoted to segregating and controlling the new-breed children monitor their every move—watching and waiting for the opportunity to strike the next blow in their escalating war to preserve “humankind” at any cost.

512p

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10.40 €
Dead Lines
Dead Lines

With his acclaimed novels Darwin’s Children and Vitals, award-winning author Greg Bear turned intriguing speculation about human evolution and immortality into tales of unrelenting suspense. Now he ventures into decidedly more frightening territory in a haunting thriller that blends modern technology and old-fashioned terror, as it charts one man’s inexorable descent into a world of mounting supernatural dread.

For the last two years, Peter Russell has mourned the death of one of his twin daughters—who was just ten when she was murdered. Recent news of his best friend’s fatal heart attack has now come as another devastating blow. Divorced, despondent, and going nowhere in his career, Peter fears his life is circling the drain. Then Trans comes along. The brainchild of an upstart telecom company, Trans is (as its name suggests) a transcendent marvel: a sleek, handheld interpersonal communication device capable of flawless operation anywhere in the world, at any time. “A cell phone, but not”—transmitting with crystal clarity across a newly discovered, never-utilized bandwidth . . . and poised to spark a new-technology revolution. When its creators offer Peter a position on their team, it should be a golden opportunity for him. If only he wasn’t seemingly going mad.

Everywhere Peter turns, inexplicable apparitions are walking before him or reaching out in torment. After a chilling encounter with his own lost child he begins to grasp the terrifying truth: Trans is a Pandora’s box that has tapped into a frequency not of this world . . . but of the next. And now, via this open channel to oblivion, the dead have gained access to the living. For Peter, and for humankind, a long, shadowy night of the soul has descended, bringing with it the stuff of a horrifying nightmare from which they may never awaken.

By turns spine-tingling, provocative, and heart-wrenching, Dead Lines marks a major turning point in the consistently dazzling storytelling career of Greg Bear. Alongside its hero, Dead Lines peers into the darkest place we can imagine and wonders—fearfully—what might be peering back.

320 p

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9.80 €

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